创作年代 2004年

语言 zh-CN

尺寸 6x8x12m

材质 写真布喷绘，灯，铁，木和镜子

作品描述 Leandro Erlich, Bâti ment (2004), Nuit Blanche, Paris, France, 2004. Digital print on linoleum, lights, iron, wood, and mirror © LeandroErlich Studio 法国巴黎“白昼之夜”艺术节展出现场（2004） ©雷安德罗·埃利希工作室 Bâtiment 建筑 This well-known installation allows visitors to defy gravity by hanging from or standing on the façade of a traditional building. To achieve this effect, a large mirror is placed at a 45-degree angle above the façade (positioned on the floor or ground). Visitors can spontaneously interact with the piece and with each other as the participants come and go. Photography is an inherent ingredient of this enduring work that has traveled the world (France, Australia, Argentina, Japan, Ukraine, the UK). Originally created for the Nuit Blanche in Paris in 2004, Erlich has sought to establish a conversation with the urban landscape that also serves as a gathering place. This new Bâtiment is inspired by the classic signs and fire-escape façades of Chinatown, a place beyond China’s borders but installed here within the heart of China itself. This gesture reminds of the inevitable distance between representation and essence and how easily we accept a tourist’s image of a city or its culture. Instead of overcoming this obstacle (trying to offer an “authentic Chinese” building) this installation points towards the inherent promiscuity of identity and the reductive nature of reproduction. 在这件知名的装置作品中，观众可以反地心引力地悬挂或站立在一幢传统建筑的表面。为了实现这个效果，一面巨大的镜子以45度角固定在建筑物表面（或固定于地面或地板上）。来来往往的观众可以自发地与作品进行互动，也可以跟其他参与者一起互动。拍照留念是这件经久不衰的作品的固有部分。该作品曾在世界各地展出（法国、澳大利亚、阿根廷、日本、乌克兰和英国）。其最初创作于2004年的巴黎“白昼之夜”艺术节，雷安试图以此建立一个与城市景观之间的对话，同时它又可以作为一个公众集合的地点 此件新的《建筑》的灵感来自于唐人街的经典招牌和防火外墙。唐人街原本远离中国本土，但现在却被放置在中国的中心城市。这种方式更是体现了表象和本质之间永存的距离，以及我们如何能轻易地接受一个旅行者对某个城市或其文化的印象。相比于克服这个障碍（尝试使用一个“纯正的中国建筑”），这件装置更是指向身份的内在混合和再生产的还原性。 展开>